Reading Between the Panels
Saturday, August 30, 2008
There's an article about me!It's really weird reading about myself in the third person.
And if you're wondering why I have the My Little Pony with me (not that you would, considering My Little Pony had her own photo spread recently on my blog), but
I explain it here. I'm the fourth photo, I think.
Labels: comics, comics studies, grad school, news
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at August 30, 2008 2:08 PM
said...
DUDE! OMG! This is so exciting! You sound like a rockstar! And those pictures are GORGEOUS! You need to keep them! You look so hot and you sound so smart. :)
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at August 30, 2008 2:25 PM
ish said...
Awesome, congratulations.
(I'd want to take the class)
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at August 31, 2008 1:42 AM
said...
Impressive. That's a really nice article.
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at September 11, 2008 8:47 PM
said...
I have been meaning to ask you: do you ever feel pressure from the idea that you are referred to as an "expert"?
Adjectival Racism?
I like to have mindless television on while I work. Or procrastinate as I noodle around the interweb.
What Not To Wear is on, and, I admit, I have a problematic relationship with this show. On the one hand, I like that it teaches women to feel empowered by their appearance and find confidence in their own skin. On the other hand, why don't they give makeovers to men anymore? They used to years ago and those were some of my favorite episodes. On yet another hand, I like that they try to bring peoples personalities out in their clothing choices as opposed to change their stylistic identity completely. However, I have a problem that their word "sophisticated" is really code for "You can still be biker chick chic, but do it in a kicky platform strappy sandal as opposed to assless chaps."
But my biggest pet peeve is with the make-up portion of the show. Carmindy (a great name, a beautiful woman and a very talented make-up artist) refuses to call people by their ethnicity. White women are not white. They have porcelain skin. Black women are not black. They are mocha. And it's not just Carmindy, this has been trend on makeover shows for years.
I feel like there is an inherent judgment call in the kinds of adjectives being used with women of color. White women get associated with adjectives like porcelain that brings to mind statues or teapots, or, ya know, toilets, but whatever, while women of color often get associated with adjectives that get consumed: mocha, caramel, chocolate! Women of color are delicious, but I think that's going a bit too far as to be a slightly disturbing (if it was once in a while, I would say artistic license, but it's been a consistent theme for at least four years--that's when I started watching stuff like
What Not To Wear). The reason why this is an issue to me is because when one's skin color is equated to things that are outside the body, it suggests that there's an inherent lasting value, while another's skin color is equated to edible objects, it suggests that there's a temporary value. And it feels like implicit racism.
Why don't we say to a white woman, "This shade of blush looks great on marshmallow skin." And if a white chick has skin problems, "This foundation works great with tapioca skin."
I would so pay to see that.
I don't know... I'd like to hear what others think. What words should be used when describing skin tones? Should everyone be described according to one adjectival family? (For instance, let's describe everyone according to coffee flavors!) Or should we be free to be you and me? And if we should be free, should we be aware of the privileging of race through adjectives?
Labels: adjectives, language, the personal is political dammit, what not to wear
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at August 30, 2008 1:31 AM
said...
I love the phrase "tapioca skin." So cool. I want people to say I have tapioca skin. I think, my skin doesn't quite fit the category though. I've been told I have an "olive" complexion. Does that mean that someone wants to put me in a vodka martini?
I agree with what you're saying here. It's interesting how the term "porcelain" conjures up images of cold things for me, while the words "mocha," "caramel" and "chocolate" are all very hot, very sensual. I think this connects to racism, honestly. Something perhaps about the "nature" of these two races? Also, the terms for the Black women's skin types also come down to images that are runny, that melt, that can change shape, while porcelain is very rigid. At any rate, these terms for skin tone conjure up images of Victorian ideas of race (and sexuality) for me... which is quite disturbing.
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at August 30, 2008 5:53 AM
said...
If someone told me I had marshmallow skin, I probably wouldn't be too happy. That just conjures up images of the Stay-Puff Marshmallow Man, and he was kinda fat.
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at August 30, 2008 10:20 AM
said...
So are you saying that telling someone they have mocha skin is better or worse than marshmallow?
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at August 30, 2008 10:29 AM
said...
And that's exactly my point: olive?! What the hell does olive mean? Are you green? No. Are you black? No. Are you stuffed with pimento? I wouldn't know, but if you are, hopefully it's on your own terms.
Think about it, there are three major types of skin tones: fair, olive, dark. Isn't that weird? I know some companies will classify foundations as: light, medium, dark, which seems a little more equitable. But I still think it's weird that we have fair, olive and ark are used together in magazines. Because fair is a term that is associated with beauty, olive--I'm totally lost on what olive is associated with aside from olives, and dark, when used in direct opposition to fair feels like there's a stronger association with dark things, like disturbing things.
This is weird, no?
The Cho Show
I love Margaret Cho and I don't care who knows!I remember when
All American Girl came out. I was 13 years old. I had read about it in a TV Guide while we were in line at the grocery store. I was living in the middle of nowhere and NBC was life because it was the only channel that came in at all. And I specifically asked my mom to climb on the roof and fix the antenna to see if ABC would come in that night. And it was super fuzzy, and sometimes the screen went all static-y, so I missed some scenes, but I remember loving that show.
I only remember it being on for two episodes and that was the last time I asked my mom to specifically climb on the roof to get a channel to come in especially for me. I didn't understand why it wasn't on anymore--I didn't really know shows got cancelled back then. But I was glad that I had taped the episodes, static and all, and watched and rewatched them, but at some point in the next month one of my little brothers had accidentally taped over it with X-Men cartoons because one morning FOX was coming in as clear as NBC on Saturday morning. I wasn't mad per se, because I fuckin' loved X-Men (at this exact moment I have 5 episodes from my childhood on DVR right now--thank you Jetix!), but I was sad because I didn't get nearly enough time with the show. And I think a lot of other people who came to love Margaret Cho felt the same way.
I didn't find out Margaret Cho was a comedian until I went to college and I saw her on Comedy Central and I shrieked: "Oh my god, Margaret Cho is doing stand-up! That's so awesome."
And B said, "Oh you like her? I think she's annoying."
So I left his dorm room and went to mine and watched it instead.
I started thinking about the other comedians I also liked, like Kathy Griffin and Ellen DeGeneres--to sidetrack a minute, I bought both of her books at Wal-Mart when I was a teenager and I had to travel 50 miles to the nearest Wal-Mart, yo, so I was a dedciated fan. And to put things into perspective,
Seinfeld was life to me back then, but I did not particularly enjoy his book
Seinlanguage: about half of the material had actually been incorporated into the show, so it felt tired to me.--but anyway, I noticed that none of my guy friends liked the same comedians I did. I never really thought about it until lately and I started to wonder if that general dislike comes from a misogynist place. Especially the reaction that men seem to have to Margaret Cho. I wonder if men don't like her because she confronts subjects like race and class and gender instead of making stoner jokes like Adam Sandler. I mean, I liked Adam Sandler to a certain point, but man... his CDs could be really annoying after like two tracks.
Anyway... yeah. These are the thoughts I'm having while procrastinating writing the course outline. I have the syllabus done, but I haven't outlined what we're covering every class session yet...
Labels: celebrity, childhood, comedians, margaret cho
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at August 29, 2008 8:23 PM
Lorie said...
It's been so long since I've seen Margaret Cho in anything that I'm not sure I remember how I feel about her. Which sounds weird, now that I say it. I remember her doing imitations of her mom, and I think that voice used to get on my nerves a bit. Other than that, I have very neutral, non-existent feelings towards the comedy of Margaret Cho. On a side note, someone on my LJ friends list has an icon of her with the line "I'm here to wash your vagina."
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at August 29, 2008 8:27 PM
said...
Well... I think gender plays a certain role, but for I also think some people just have a certain tolerance for standup and certain preferences. E. can watch Margaret Cho, while I can't stand her. I don't know why, but she makes me sick. I think standup in general is a bit repulsive, so it's not just her. I liked Ellen's comedy tour and I saw J. Garafalo when she was on tour a few years back. They're okay. I don't like a lot of sex jokes in my standup (which a lot of the guys do...and Margaret Cho does a lot, so maybe that's what's up there. Maybe it comes down to gender. I can't stand most comedians, but Seifeld doesn't seem to make a lot of sex jokes, so I'm okay there.)
While I'm typing, I just figured out why I can't tolerate standup. I think it comes down to my fear of mimes. As a kid, I was scared of any type show where they could grab a member of the audience or interact with the audience in some way. And still to this day, when I see standup, I cringe because it's slightly scary to be incorporated or called out or something. (Which makes the sex thing all the more repulsive!! UGH!) Even on TV, I feel for those who could be in the audience. WEIRD, I know!
Hope my long-winded response makes sense.
And please, whatever you do, don't ever become a mime!
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at August 30, 2008 1:23 AM
said...
I think I will give her a try again. I know a lot of people who love Margaret Cho, so it could be that I walked in on some of her "crass" material without really hearing the other stuff. After all, I've only seen clips of her standup when I see E. (or my sister, back in the day) watching it.
I agree about Bernie Mac and George Carlin. It's funny because I like to read and hear about sex, but I guess humor attached to it has to be *just* right for me and that's where it gets very subjective. I don't mind people talking about their sex lives (in fact, I find it informative or interesting at the very least--and sometimes it can be enlightening and actually help me out). At the same time, I don't like when women (perhaps those who inspired or were influenced by Sex and the City)and men (stereotypically frat boys) talk about sex just to show off--or worse, to laugh at their partners. Not to work through something, not to mull something over analytically. That's a huge problem for me, and perhaps the line where I have trouble in stand-up. But that's obviously a personal issue and not something that applies to everyone. I like sex jokes not to provide too much of a visual with explicit images (funny situations might be okay, like J. Frakes and a certain cylon professor...hehehe...), but I don't like when it might hurt someone. Does that make sense?
As for blogging about your sex life, here's a question, what part of your shared sex life with B. is communal and what part is yours? I know that's a strange question, but I think you could blog about things like feeling frisky, as my grandmother always called it, without hurting anyone. Then again, it really boils down to how much of your privacy you want out there. I'd say, approach the subject again. And, if you use your blog as a replacement for a traditional journal of sorts, you could always make those entries private so you could write about your sex life without sharing it.
By the way, what do you think of Sarah Silverman? Her "I'm fucking Matt Damon" was awesome.
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at August 30, 2008 2:18 PM
ish said...
Cho, Silverman, Griffin, and Wanda Sykes are my favorite female comedians right now (unordered). I really liked Ellen in the early 90s. Its true she was very much a more safe comedian like Seinfeld, but she did it very well. And that makes it so much more amazing and impressive when she made such a stand for gay rights on network television. The problem, of course, was that it wasn't funny. And she spent about 5 unfunny years there as a social philosopher rather than comedian. And her return to prominence with the show found her coming back to the middle of the road sensibility, which seems like a shame to me. She's still pretty funny, but there seems to be a bit of an extra level of inanity now that's almost a fear of getting caught up in that swarm again, and I wish she could have found a way to make it funny, since really she's got a lot of credit as the one who allowed it to be talked about on a daytime show at all. But she mostly plays the "straight man" on her show (and that's a really funny adaptation of language to apply to her, "Um... none of the above, actually").
I tend to prefer more cerebral absurdist humor, which is fairly uncommon with popular female comedians. Which is to say, they may be out there, but I don't have any way to hear them. Anyway, obviously Carlin and Steven Wright. I was a huge fan of Mitch Hedberg. Dmitry Martin, Emo Phillips, Jake Johannsen. And there's the satirical political comedians, like Lenny Bruce, Bill Hicks, Chris Rock, David Cross, the other George Carlin, and Lewis Black, which also tend to be men, though Wanda Sykes gets into some of this territory now and then.
As for the actual question: I think there may be some element of misogyny attached. Often with Cho and Griffin I get a sense that is my own repressed misogyny telling me I'm not supposed to like it. I also think some degree of misogyny (or its opposite, misandry, which I had to look up since the word is never used as though it didn't exist) is natural just due to the nature of inherent differences in the genders as well as a fear of the other. The problem of course is in the unequal power relationship which causes those unable to hold that feeling in check to be more likely to be men and as such have a larger effect.
In this case, I'm not sure its a bad thing. I think the reason this is attached so strongly to Cho (and definitely Griffin as well) is that their acts are so archetypically feminine. While they can be appreciated by all, they both seem to have a special resonance with women, in ways that Silverman for instance does not, since she seems to be enjoyed as much as if not actually more by men. My initial reaction was that this stemmed from a sense among many men that "I hear this stuff from my wife all day, why would I listen to it for entertainment?" And I had thought that probably it wasn't that big of a deal.
But reflecting back on the treatment Hilary Clinton received in the press, as a candidate I don't support but whose really horrible treatment disgusted me, I think I may have changed my mind while writing this. In the case discussed (whether someone likes a comedian or not) the result seems relatively unimportant. But the feeling itself seems to me it could be quite dangerous. I suspect that unconscious judgment is worse, as it can't really be confronted.
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at August 31, 2008 2:21 AM
said...
I thought you might like this quote from Margaret Cho's interview with Us Magazine. In response to a question regarding why her husband won't be on her new show, she said, "Well, we want to stay married. My marriage is the best thing in my life, and I don't want to use that for commercial purposes. It's a sacred bond we have, and it's not for public viewing."
I think that might touch on some of the same issues regarding writing about one's sex life on one's blog as well. What do you think?
I really liked her interview. Her honesty regarding her rape, her body image and self-esteem made me really relate to her. Now, I really want to see her standup.
The Man Behind the Curtain: Job Market Realities for Ph.D. Students
Today
Wednesday, August 27, 2008
Some of you have received some of the e-mails (or, how I like to think of them, public service announcements) I sent to the AEGS (Association of English Graduate Students) listserv, but I think it's important to continue the conversation in another forum and get real life opinions on the situation. Plus, for the people who have read this stuff, a less-publicized Creative Writing conversation started to take place that I'll recount later on this post.
The motivation behind this post is some interesting info I encountered as I went through New Faculty Orientation over the last few days. Of the approximately 30 new faculty, approximately half have not even finished writing their dissertations and they've been hired in tenure-track positions (in the English department even!). There's a term, ABD, that means All-But-Dissertation, which is short-hand for someone who has passed their qualifying exams and has been greenlit to start writing their dissertation.
The shocking thing for me was finding out that it was possible to get hired in tenure track positions before people even graduate with a Ph.D. No one really wants to talk to us about the realities of going on the job market at USC (which includes how important publishing actually is), and, by "no one is talking," I am referring to our peers (I wonder if it's a competition thing) and our faculty mentors (I wonder if it's awkward thing or if they're so far removed from that now). But the job market is especially mysterious for people on the creative writing track (I think the competitive thing is more of an issue there).
Trying to start a conversation about the job situation amongst the creative writers is almost impossible and there seems to be an emphasis on a code of silence. For instance, a friend of mine on the creative writing track, wrote to me expressing the fear that I was allowing the "ugliness" of the "reality of being on the job market" cloud my perspective and was worried that this would get in the way of my art. The letter that was written was very nice and came from a very pure place, so I wasn't offended or anything, but it did make me pause and consider why these issues are weighing on my mind--and I wondered if the concern for me was warranted; I know I can fixate on issues to the exclusion of productivity or worrying too much about an "audience" that I lose my point of view in my creative work. It's why I went to therapy.
So, I think about creative writing like baseball, and so, it's easier for me to talk about writing in this way. A story, to me, is a ball that has no meaning when thrown if someone else cannot catch it. However, if I get caught up in trying to get the catcher to catch my ball, I'm not trusting the catcher to do his job--so really, I'm not trusting either of us enough to be good enough at our jobs. And in order to trust him to do his job as a catcher, I have to train myself and be disciplined. I also have to learn how to throw a fastball in a straight line before I can learn to throw a curve--because what is a curveball except a fastball thrown in a swervey direction? So, I need the discipline to learn how to throw the basics before I can throw the fancier stuff, and with this confidence comes trust in myself and the catcher.
I think it's insanely important to try to keep the purity of the writing process intact--by which I mean distilling the ugliness of the realities (like the job market stuff) out of the physical writing and not allowing that topic to corrupt our creativity (like when people only write to get published, instead of writing to convey a story; or when people write for a specific audience in order to get published in a specific journal or magazine or book)... It's important to me to write for myself first and trust the spark that ignites my writing into motion
and then being able to shape that story later during revision into something someone else will be able to catch.
But I always have to write for myself. And that means trusting myself, too. Which is ultimately a form of loving myself. For instance, I have never sent out a single story (or academic paper) the whole 3 years I've been in grad school (and I came in with only a Bachelor's, and not a MFA, so I really have nothing published at all). I did that purposefully because I didn't want to get overwhelmed with worrying about getting published. I just wanted to write. Create a body of work that I feel proud of, and then when I was ready, send stuff out. And not write towards a specific audience in order to get it published. I just wanted to write and feel like I'm keeping the integrity of the story and be proud of the stories I'm telling.
However, I do think it's important to be able to balance the two: the dreaminess and the realities. To be as informed as possible about the opportunities out there is an empowering thing, at least for me. And I feel like I'm in a place in my writing, as an artist and as a scholar, that I can balance these two and one is not going to impede the other, but they will definitely inform each other in a symbiotic sort of way, instead of an exclusionary way.
I'm in a place where I feel like I can now balance the realities with the creativity--and one isn't excluding the other anymore. And I realize now that I don't have to do anything or write anything or study anything unless I'm really inspired by it. Because I'm really tired of faking it for people. I made a promise to myself--that's what my Van Gogh iris tattoo is about--that I will never fake it again. I will never try to be a purple iris in a field of purple irises if I'm really the lone white iris. Because I know now that position isn't a position of loneliness, it's a position of power for me now.
When I was interviewing for this fellowship, I got some invaluable advice, and I've passed it on to others, and I say something along the lines of, "My gifted friend Bonnie once told me that if you can just be yourself, as weird as that may be, and even embrace the weirdness without offending people, you'll be fine." I've taken that to heart.
I feel equipped to balance both sides now--the creative and the critical, the art and the job market. And because of that, I was shocked that people have never really candidly spoken about what it means to publish or get a job. But I would never compromise myself or my writing to do either of those things.
So, the real reasons why these issues of silence about realities are weighing heavily on my mind are:
- I felt like I got lost in the transition last year--and by transition, I mean both transitions that occurred: the graduate student adviser for the creative writing track left and the English department retooled the examinations everyone who is a grad student in the English Department must go through and switched to a new system of testing. With these two things happening simultaneously, no one was really looking out for those of us going through the new process, and, in retrospect, I feel as though I got left behind. But the dangerous thing was: I didn't realize it was happening. I felt like I was using my time well, but, now, knowing what I now know (about being able to go on the job market as an ABD), I am sure I could have used my time more wisely. Instead of waiting until I got a fellowship that was going to take me away from campus to kick my ass into gear, if I had known about the ABD thing, I would have been more on top of my progress instead of waiting for people to figure out the administrative side of things (like waiting for answers in regards to the new testing system). Because now, the scary reality is: I'm going to take field exams and (hopefully) qualifying exams this fall and I'm not even in the same time zone as my university anymore.
- Plus, I think the new people should know this from the first semester so they can try to plan accordingly.
I think we need to see the man behind the curtain, so to speak. I'm starting my fourth year of a Ph.D. program and I didn't know that people could go on the job market as ABD (I had to leave my program to find this out and that angers me) and that info is crazy (in an insanely cool-liberating-crazy sort of way). So, I figure, the more knowledge we share the more equipped we'll be, and the better off the incoming classes (hopefully) will be, too.
But not many of us have joined the conversation.
And that kind of angers me, too, but... I've done my part. All I can do is take care of me now. And make sure the people I care about who are in the program (both the critical side and the creative side) have the information so they can make informed decisions for themselves.
Labels: ABD, balancing art and business, creative vs critical, grad school, job market, real life, tenure track
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at August 28, 2008 1:00 AM
said...
I think you should email some of this to the AEGS listserv. I'd say all of it, honestly. I think people need to know this stuff and maybe it would help wake up some of the "new" people and the "seasoned" veterans. Why don't we talk about this stuff? Why are we scared? What are we all scared about anyway?
I've wondered for a while now if all academic publications and conferences are equal. But NO ONE seems to give me a straight answer. For example, is it a plus if we publish in a little-known journal or is it a negative since it shows that we're not in the big leagues yet? And which journals are the big leagues, exactly? Which align us to certain political areas? Some are obvious, yes, but some are not.
Anyway... just some thoughts. But yes, I think you need to get the people talking more on the listserv... and I think the "private" conversations going on about creative jobs need to come out, since it might help the new people and some of us critical people actually really want to do creative stuff too.
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at August 28, 2008 3:09 AM
ish said...
First: I know nothing about graduate school for writing or the greater job market in creative writing. Just to get that out of the way.
I've always found it astonishing how little people pay attention to the job market in the arts. Certainly, arts (and particularly solitary arts like writing or painting) are different than sciences or engineering or business. But are they so different that talking about how one intends to eat is taboo?
A friend of mine went to art school, first for sequential illustration and then for acting, and now 5 years later spends most of his time working at the UPS store. Certainly success in the arts requires a bit of dues paying, but seriously?
And I think that attitude is encouraged, like if you ever actually get paid for what you do then it is no longer valuable. Just to say it: I'm totally in favor of selling out. I understand what you're saying, Jilly, about not writing things you don't believe in or doing things for your audience first, but I think its worth applying a little perspective. Because I think in some ways that's an overly self-indulgent attitude. You know, no one who goes into science or engineering is told that if you spend time thinking about where you want to work and how you want to support yourself it will hurt your work. And very few scientists or engineers really get to do what they really want to do 100% of the time. You get stuck working on what your boss thinks is important, or what is a popular subject of research at your university, and you shut up and do the work knowing that if its done well you'll get the opportunity to focus on what you want later. Its a compromise. You get to eat and that gives you more time to work on what you really want, and in the meantime you're at least doing what you enjoy instead of working at Border's waiting for your ship to come in.
And as much as the arts are different, I really don't see them as terribly different in that respect. What's better: Never compromising your vision or never publishing anything because you're spending all your time as a clerk? The biggest difference is that you don't have a boss to tell you what to work on, you have to figure it out yourself, and I really think that it is a disservice for a graduate program to be so shy about helping you to know what's out there.
Of course it is important to have and follow your own voice or your writing will suffer for it. But still, I think its about compromise, and I personally get really annoyed with the self-imposed starving artist crap. (Not referring to what you've said here, just in general. I'm sure you've recognized the type and I think its typified by the "I'm worried all this focusing on business will hurt your writing" comment.)
So I don't have any ideas or suggestions about the tough work of getting published and how to go about it. But as a general philosophy I've always found that art benefits more from limitation than it does from freedom. When its done in complete freedom it becomes self-indulgent and stagnant because when anything is possible there are no hard choices to make.
In any case, you may not have intended this as something for the clueless like myself to post on, and I may have missed the point entirely, but that's my take. Certainly try to keep the discussion going with people who aren't as ignorant as me, I really think that ignorance of the job market is incredibly dangerous. Again, different market, but if I would have known 3 years ago what I know now I could have spent two less years in school, not gone $60k in debt and not had my house foreclosed. I don't regret the path I took, but it does show the possible costs.
I certainly agree that your difference is your strength and look forward to what you will create. But don't be afraid of compromise and balance. Unfortunately, the universe rarely submits to our will, and by allowing yourself to be guided you can be quite pleasantly surprised at the places you'll end up.
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at August 28, 2008 9:04 AM
Jilly said...
I appreciate both perspectives I've received so far: someone in the program and someone outside. Let me try to address these comments in chronological order.
Nata is right. These conversations should be had--but you told me classes started this week, so maybe the talking is going on in person instead of via e-mail? Maybe you can keep your ears open and see if people are actually talking, because maybe it's just my perspective on the other side of the country that the lack of activity on the listserv suggests silence (when I could be wrong).
I hesitate to continue the conversation on the listserv--to take the Creative Writing Conversation that was happening there--because one of the people who graduated who mailed me with some really important information told me she didn't mind if I shared it with other CWers but she chose to e-mail me directly after reading my letters on AEGS. So, I feel like her info isn't mine to share to the group as a whole, but I just forwarded it to you and scexpatriate, since you two are my peeps on the critical track (it is up to you to decide who you share the information with and if that means AEGS, then so be it).
I also am frustrated with the conference/journal thing. Why don't people talk about that stuff? I think it needs to be addressed in 501 or something. If we knew this stuff from the beginning, then it'd lay a more stable groundwork for our scholarly writing.
FYI: The only faculty member I have personally encountered who does talk about this kind of stuff, very honestly, is Joseph Dane. He's great.
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at August 28, 2008 1:52 PM
Chandra said...
Hi Jilly,
I posted a link to this on livejournal where we have a little collection of posts somewhat related to the general issues you're addressing with writing here.
That baseball metaphor is so perfect!
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at August 28, 2008 2:39 PM
Jilly said...
I glad you liked it. Thinking about writing as pitching a ball has helped me a lot actually. I remember watching the 2001 World Series, where Randy Johnson and Curt Schilling were dominating the Yankees, and I remember wishing I could write the way Curt Schilling pitches. But it took me a few years to understand that discipline and trust end up being just as important as the actual talent.
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at August 28, 2008 4:25 PM
ish said...
I've been called a lot of things, but Ferengi is a new one. It sounds about right though.
I also worry about those who work ONLY to get published. I find that the other disturbing pole across from complete ignorance of business. I guess the reason that self-imposed starving artist
bothers me more is that it seems to come attached with a very self-righteous purity vibe that its opposite does not. (Possibly inappropriate observation) It reminds actually of regular churchgoers. Being a complete infidel myself, I get really annoyed with this attitude that going to a church every Sunday makes you a better person, when really people do that for themselves and could accomplish far more by donating that 3 hours of their time to soup kitchens or literacy programs or just picking up trash by the roadside. But then that's my bias. Anyway, compromise and balance.
I think focusing on your audience is one of those limitations that makes better work. Of course you can't be a slave to its will, that's a different thing. But knowing that its out there and trying to write for the audience (even if your goal is to challenge it rather than please it) forces you to work harder. And I know I don't gotta tell you that hard work is about the best and only guarantee of success in any endeavor.
I can only think that the more you know about business and the market the better it will be for you, financially and creatively. You can only accomplish so much from the bullpen, you got to get into the show to really get good.
PS: I already know who your metaphorical catcher is, now that Brandon has moved behind the plate. :) We won't make the series this year, but if they can put together a decent relief bullpen over the winter we might have a chance.
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at August 28, 2008 4:40 PM
Jilly said...
That last comment made me giggle out loud. That doesn't happen very often. :) Ah, Brandon Inge and my husband have one thing in common: I hate to see them go, but I love to watch them leave...
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at September 5, 2008 9:29 PM
Lorie said...
The block quote citing I tried to do didn't work (at least not in my browser). The link to the original is here.
Comic-Con 2008 Photo Album

If you click on the image above, you should be taken to a link where you can view all the photos we took at Comic-Con International 2008. I finally took time to label photos and write who appears in the pictures.
Labels: comic-con, photos
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at August 26, 2008 10:11 PM
said...
So this is why we were the only geeks/celebrities in LA that weekend... it all makes sooo much sense now... ;)
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at August 28, 2008 1:41 PM
Chandra said...
Your Chii costume really is amazing. :)
18 and Counting
Thursday, August 21, 2008
I have 18 students registered for my class:
Zombies, Witches and Cyborgs: Animating Gender and Monstrosity. Only 7 seats left! (I find this very impressive because the pre-doc fellow from last year only had 7 students enrolled for her fall semester--and here I was worried that no one would want to take it.)
Labels: grad school, teaching
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at August 21, 2008 10:55 AM
Chandra said...
I'd take it. If, y'know, I was in school.
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at August 21, 2008 5:25 PM
Alex Knight said...
Heck, you know I'd be on that class if I was in that school...
My Little Pony Power, A Day in the Life Of
My Little Pony loves my new campus. Here she is helping set the world on fire:

After which she takes a meeting in the Fisher Center for a Photo Shoot with me (a link will be provided soon):

Across the way, My Little Pony enjoys the Elizabeth Blackwell room--the building in which my office and the FC are located is part of an old chapel on campuss.

And finally, My Little Pony overcomes the great debate in my mail box:

Labels: 2008, a day in the life of, comic-con, exclusive, my little pony, real life
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I Have Skype, Do You?
I also have a built-in webcam on my laptop. If you want to chat, leave me a comment or e-mail me and I'll send you my Skype username. You don't necessarily need a webcam to chat, just a mic (and they're usually built into laptops as standard).
Labels: interweb, skype
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1comments
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at August 12, 2008 1:59 PM
said...
Is Skype still free? I thought it wasn't for a while. I just use Ventrilo for my voice chat needs these days. You still owe me an email anyways.
Me and a Booqbag, or, Why One Should Always Have a Full Length Mirror
at One's Disposal, Or The Line Between Professor and Student is a
Backpack
This week I purchased a
booqbag. The Mamba pack in brown to be precise. I spent more hours than I care to admit researching professional looking bags that could hold a laptop, and so I'm pretty happy with my purchase. My research included price checking multiple websites, and looking for bags that were designed for women, since bags categorized "for women" tend to have more design personality, as well as reading reviews about laptop bags (that I didn't know existed, but was happy to find).
After all the reading, I felt more confused than ever. I concluded that I needed to create a set of criteria I required in a bag (especially if I was going to spend over a hundred bucks for it).
My Criteria, I needed something that would:
- Hold my laptop.
- Be equally comfortable to use while riding my bike or walking.
- Water resistant since it rains a lot here.
- Hold other items in addition to laptop, such as a couple of books and documents.
- But not be too big.
- Relatively lightweight: I'd prefer if it didn't weigh five pounds on its own (like my other bags).
- Look professional, but funky.
Made of:
- Durable material (leather, neoprene, nylon, lycra)--something that will last a several years.
- Not suede (the dye in the suede leaks onto my clothes)--this is why I needed a new laptop bag. The brown suede bag that I've been using for the last couple of years started leaking brown dye on my clothes when I carried it around.
So, after hours of blindly reading and shopping online, I felt confused. But as soon as I created my set of criteria, I discovered the two following possibilities within a few minutes. (It's weird how knowing what you want can really speed up matters.)
The possible suspects:
Mamba Pack, $135 (or it's other incarnations:
the sling and
the saddle)
Pros: I thought this bag had everything I was looking for actually. All seven criterion.
Cons: But I wondered: is it professional looking enough? I was especially concerned with the backpack style. I've only seen one professor carry a backpack and it was leather, so the leather kind of ups the professional factor; most professors I've seen use tote bags or messenger bags, so I worried a backpack would be too student-y.
Ristretto Messenger, $90
Pros: Durable. Funky styling.
Cons: I wasn't sure if it's wide enough to carry a couple books in addition to the laptop. Also, how awkward is it riding a bike with a messenger bag? They don't even seem to stay in place while I'm walking. Plus, the messenger style tends to dig into my shoulders, and, already having back issues from my car accidents when I was 17 (couldn't walk for 8 weeks), the bag style tends to hurt my back because I always seem to weigh it down with everything I need to be on campus since I'm there all day (it's not uncommon for my bag to weigh 30 pounds).
I decided to take the plunge and buy the Mamba pack (added bonus:
it came with a free Venom pulse bag that I can put my digital camera in). But when it arrived, it was bigger than I anticipated. The website makes it look so sleek, and sleek in my mind tends to go with small (kind of like iPods). They gave the dimensions, so I should have been prepared, but I wasn't. (They really should have pictures of the bag on people for scale and perspective.) It's also as wide as my back (wider, in fact, in places like my shoulders and where my waist comes in) and it's as long as my back as well.
So I was terribly conflicted when I opened it. On the one hand, it's a beautiful, beautiful backpack. And
damn if it ain't sturdy. And the lycra and polyester fabric, surprisingly, is really supple and kind of awesome to touch.
On the other hand, though, it was huge and it felt like it dwarfed me. How could something so big possibly be professional? It's fine if I'm wearing jeans, but what if I wear I suit? Won't it look silly?
Since I don't have a mirror (except a tiny medicine cabinet variety), I took pictures. In my favorite suit.


That's how big the backpack is in comparison to my body. But it's structured so it doesn't look messy like my other backpacks, so it actually doesn't look bad at all. The more I look at it, the more I like it. Plus, all the compartments are designed really well, so there's lots of storage space without looking overly big and sloppy.
And this is why people should always have one full length mirror in the house. If I had a mirror, then I could have seen that the backpack actually doesn't bad at all, even with my suits. But I freaked out and called B and was like, "I'm not sure if the bag works! Can I take pictures and you tell me what you think?" But I didn't need his response because as soon as I saw the photos, I was convinced.
Labels: backpacks, booqbag, fashion, funky, laptop bags, professional, style, suit
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at August 9, 2008 9:56 PM
said...
That's a great backpack! I really like the way it looks. Keep on blogging. I love reading about your life in NY. I miss you!
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at August 12, 2008 11:49 AM
Chandra said...
Nice backpack!
I carry my laptop in a Harajuku Lovers' tote... but I don't do a lot of hauling it about or I'd have to get a backpack, too.
Loligoth: Costume or Lifestyle?
Wednesday, August 6, 2008
[caption id="attachment_458" align="aligncenter" width="300" caption="Fig. 1: Exhibit A, Loligoth"]

[/caption]
Sometimes I feel like I'm the only one who knows what loligoth (Gothic Lolita and it's sister style: Sweet Lolita) fashion is--I know I'm not, I'm lucky enough to have girlfriends who are hip to my jive, yo. Plus, I randomly came across
Dreaming in Red (my new favorite blog), and I felt inspired to finally address this loligoth topic on my own blog.
I would dress this way every day if I could, but, being in the USA, there aren't a lot of loligoth options here (hello eBay!). So whenever I try to whip out a loligoth outfit, it feels more like a costume than a stylistic lifestyle. I have had a couple skirts and tops that are ruffle-y and vintage-y that I have purchased at random places like thrift stores and Express on occasion, but because my closet isn't filled with these kind of outfits, it enhances the costume-esque feel. And I would rather it be my style than a costume.
But is it possible for the Lolita (Gothic or Sweet) to move past a costume/cosplay presence?
The way I gauge clothing is by asking myself this question: would I feel comfortable teaching a classroom of college freshmen in it? The reason why I like this question is because it addresses a multiplicity of criteria in a single question: comfort, wearability and style.
1.
Comfort: is the garment comfortable enough to teach a class in? To ride a bike? If not, to ride a bus in or to walk to class in? Will I get hot? Will I get sweaty? If it's white, do I have the ability to keep it crisp?
2.
Wearability: how often will this garment be worn? Will I get my money's worth in the number of times I'll wear it? For instance, I have a green BCBG dress I bought for about $110 last August. I have worn it at least once a month (sometimes 2 or 3 times a month). So let's say I've worn it 15 times (a low estimate). That's $7 each time I've worn it, so the more often I wear it, the better the value. (This is also how I think about furniture.) But something like my Chi costume (the one I made) cost approximately $100-$120 to make (not to mention the number of hours I put into designing and sewing it), and I've only worn it twice, so the value of this garment is approximately $55 each time I wore it. Plus, I can only anticipate wearing it at Anime-Expo next year, so the wearability of the costume is much lower than my BCBG dress.
3.
Style: because I'm a fiction writer and a comics scholar (remember what my academic fellowship is in this year: gender and animation, and my project is tracing the cyborg myth through monstrous bodies such as zombies and witches and vampires as they appear in literature and comic books), I feel like I have more liberty with my style of dress than maybe other people have (or want to have).
I like to look quirky but professional, so I feel good when I stand out, but I don't want to look costume-y. I went clothes shopping with Laura before I left L.A. and we went to the Camarillo Outlets and I was looking for some suits to teach in (since I'm actually considered faculty this year and the students will be calling me 'professor') and to give presentations at conferences in. So I picked out two suits that I could mix and match together easily--but one jacket definitely has a cyborg/Matrix vibe. Laura said she wouldn't feel comfortable teaching or giving presentations in it, but she'd definitely wear it around just in general. But I feel comfortable doing both. And both she and another friend of mine (Hannah) have noticed aloud that I wear dresses a lot. Laura didn't say it like it was a bad thing, but I couldn't tell what Hannah's comment meant. What these anecdotes relate is that I like to look different. But there's a definite line between quirky and kooky to me.
[caption id="attachment_456" align="aligncenter" width="225" caption="Fig. 2: Loligoth, toned down"]

[/caption]
If I wanted to teach in something like this (Fig. 2, directly above), I would feel comfortable doing so. It's a little more toned down than Fig. 1 (the first dress at the top). I know someone at USC who dresses really uniquely (thanks to the wonders of eBay Alexander McQueen is one of her favorite designers), and I really admire the way she puts outfits together. But on one of her evaluations, students (plural) said that the way she dressed was distracting. I think that kind of comment is a cop-out (and she had some problems with a couple misogynistic students commenting on her Tarina Tarantino Hello Kitty jewelry during the semester anyway), so it felt more like a personal jab than a legitimate criticism.
However, Fig. 1, or something like Fig. 3 (below) is what I would love to attend the the Spike TV Scream Awards in. I figure if there's ever an opportunity to dress Loligoth, and not be afraid of looking costume-y, then the Scream Awards are it.
[caption id="attachment_455" align="aligncenter" width="196" caption="Fig. 3: A loligoth dress that I'd like to wear to the Scream Awards"]

[/caption]
And if you think about it, the Lolita look is not that dissimilar to one of the recent challenge winning Project Runway dresses:
[caption id="attachment_457" align="aligncenter" width="206" caption="Fig. 4: Suede's winning dress in Episode 2"]

[/caption]
I mean the designer, Suede, is completely obnoxious, but the outfit is really cool. Notice the layering of fabric and the poofy skirt and noticeable petticoat. Natalie Portman, the guest judge for this episode, said she'd wear it in a heartbeat. I can't blame her.
But I do have this dress in my closet:
[caption id="attachment_459" align="aligncenter" width="225" caption="Fig. 5: My BCBG fancy dress that I've never worn"]

[/caption]
It's a fancy dress that I've never worn (I bought it in May)--so the wearability factor is low for this one, but it was heavily discounted. I originally saw this dress last August (at the same time I got the green BCBG dress mentioned earlier), and decided to get the green dress instead because it's wearability factor was much higher. But I promised myself that if I ever went back to the BCBG outlet store, and this garment was on the 50% off rack, I would buy it. Like 9 months later, Laura and I went back and there it was, only one in my size, and I couldn't put it down. I just haven't had a place to wear it yet.
Could this be my Scream Awards dress? Knowing my penchant for loligoth, this dress does echo in that general direction, which is what I really like about it.
But yeah, the question motivating this whole post: can loligoth become mainstream? Or, more specifically: is it acceptable for someone like me (a creative professional writer type) to wear it on a daily basis? Maybe not something like Fig. 1 and Fig. 3, but something like this:
[caption id="attachment_460" align="aligncenter" width="224" caption="Fig. 6: Daily Loli"]

[/caption]
What are your thoughts on this subject? And, equally important, what should I wear to the Scream Awards? And, to what extent is fashion distracting?
Labels: bcbg, fashion, gothic lolita, loligoth, mainstream fashion, project runway, scream awards, spike tv, sweet lolita
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at August 6, 2008 6:06 PM
Chandra said...
Hi Jilly, I came to respond to the question about loligoth fashion… I don’t think it will go mainstream, just because we don’t have the same worship of cute that Japan does. There’s just something absent in American culture that would have produced the same result as Japan has. Could it transcend a costume? Well, on a person to person basis, maybe. I don’t think as a country/culture we are ready (or able?) to accept loligoth as a fashion style and not a costume. To know that a lot of the Japanese girls travel to Harajuku or Tokyo Dome in their regular clothes and change into their loligoth or cosplay outfits once they’ve arrived… well, to me it says it’s still a “weekend fashion.” It’s not an every day style yet.
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at August 6, 2008 6:15 PM
said...
Hi Jilly! I say GO FOR IT! I would totally do it if I was smaller! I like how they look Victorian.
When I'm an old lady, I'm totally going to dress in handmade Victorian getup and say, "Fuck it. I like my clothes and I don't care if you think I'm senile!"
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at August 6, 2008 7:37 PM
said...
So why don't you do it now? Why is age the determining factor? Is it something along the lines of, "I'm old and I've paid my dues, bitches!"?
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at August 7, 2008 4:03 AM
Lorie said...
My first thought was that it was number of ruffles that made an outfit drift into "costume" territory. But then your last example has quite a few layers of ruffles, and it does seem more subdued. Maybe it's lace and ruffles and overall flounce? I've been scoring too many math tests lately, and it makes me want to come up with some sort of graph or ratio of the attributes to figure out the perfect balance.
I'm not a good judge of anything fashion-related, but your reason for getting a dress like numbers 1 and 3 for the Scream Awards makes sense.
I'm also curious - I've always thought of the style as gothloli. Is loligoth the more correct term for it?
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at August 7, 2008 9:12 AM
said...
I believe either term is correct. I've seen all three: Gothic Lolita (Bible), gothloli and loligoth. For some reason, I always seem to call it loligoth when shortening the full name. It seems more fun. I might have picked this up from eBay auctions calling the outfits loligoth. I'm not sure.
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at August 7, 2008 9:31 AM
ish said...
First off, a straight guy giving fashion advice here, so feel free to discount it as such (even if I do watch Runway).
There is some danger of your clothing creating a prejudgment of you, and this definitely flirts with the line between costume and style. But ultimately its *you* that people will judge you by the most.
It reminds me a bit of a certain Math Professor back at the Tech, with a penchant for wearing Confederate Battle Regalia to class (I'm certain you recall him). Being a person who's taken more math than any human every should, I've had class with him and in reality he's a really great guy, a very conscientious teacher with a strong desire to help students learn, and pretty amusing to boot. Before I had class with him my opinion was entirely formed by his clothing, and I thought he was a nut. After having class with him I wasn't any less convinced he was a nut, but I did think he was a pretty good teacher and a good guy.
You may be caught fighting more for respect if you dress more "forward" than most, but I'm sure you're up to it. I'd also offer a more cautious go for it, but say be prepared to set the tone early. Also, comfort and self-confidence are the most important tools for any look. If you feel like you belong in it, you will look like you belong in it. Really the difference between quirky and kooky is far more in behavior than dress. But that's just me.
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at August 7, 2008 9:37 AM
said...
So is the general consensus that I should dress lolita for the Scream Awards? Remember, I'm supposed to actually be on TV, not just attend. Keeping this in mind, what dress should I have made? Aside from #1 (which I think is my favorite), I'm listing these in no particular order:
1. http://tinyurl.com/595pk6 -- if this one, which color: the antique-y white or black?
2. http://tinyurl.com/63nkqo
3. http://tinyurl.com/6ecjzy
4. http://tinyurl.com/55vplf -- if this one, which color: white or black?
5. http://tinyurl.com/68n7yp
Or I could go as Chi, since I was in my Chi costume when I won the opportunity: http://tinyurl.com/6du3xz -- this costume is so over the top that I love it.
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at August 7, 2008 1:01 PM
Chandra said...
I was fond of #4, because it looked refined. Like a cocktail dress with a loli touch. Then I zoomed and wondered if it looked too much like a Maid uniform.
Number 3 is also kind of young and a little less matronly, but it's definitely more casual.
Where Have I Been?
So apparently, while I was without Internet, McCain did this sleazy ad:
And then Paris Hilton responded:
See
Paris Hilton Responds to McCain Ad and more
funny videos on
FunnyOrDie.comAm I totally nuts or was Paris's ad kinda funny and cool?
I hate that.
Damn it. She's becoming relevant in pop culture again. Thanks a lot McCain.
Ass.
Labels: britney spears, mccain, news, obama, paris hilton, politics, pop culture, sleazy ad campaign
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at August 6, 2008 6:13 PM
said...
I agree. Paris's ad was actually funny. What was McCain thinking? His ad didn't make any sense. Why is Obama a "celebrity"? Don't the Republicans consider the "celebrity" ol' Ronald Regan to be one of their best presidents ever? Ummmm... seems a little shady to me.
Comic-Con: Day 3, In Which I Snub Jonathan Frakes and Day 4, In Which
We Take Our Leave

Photo Count: 49 (36 on Saturday and 13 on Sunday).
Total Photo Count for the entire con: 105 asked for my picture. Not as many as the 127 I got last year as Yuna from FFX-2, but a decent number considering Chobits is a manga.
This is the Chi from Chobits costume I designed and sewed myself. I attended Comic-Con on Days 3 and 4 in this costume instead of participating in the Masquerade. I'm really proud of my costume. It came out exactly how I envisioned it. There's a design on the train as well that you can't see: a criss-cross on the train echoing the corset in the front.
So what happened on Day 3? Let me try to remember. It's been a while... Hmm...
I did skip the orientation for the Masquerade and instead, I went to the panel with Tori Amos and David Mack. It was a great panel for Comic Book Tattoo. Tori Amos is tiny! And gorgeous. And funny. And articulate. I like my artists to be articulate. I also like my artists to say "fuck" every now and again. Ever since I just said to hell with watching my language, I haven't been necessarily cussing up a storm, but I definitely say fuck a lot more. My favorite moment during the panel actually came during the Q&A at the end and this girl came up and was like:

"Oh my gosh, Tori you look so beautiful and I love your work. Thank you so much for being here. So Tori you're an artist. And all of you are artists [to the other writers and illustrators on the panel], and I'm an artist. And so I was wondering, what has been your most favorite moment in this existence?"
WTF?
Tori Amos was like, "You mean in this lifetime? Well, in this lifetime: cussing."
Tori Amos looked so good at Comic-Con, too. She looked like her own comic book character.
And I never regretted skipping the orientation because I got way more compliments on the costume I made than the pink one I commissioned, which made me really happy. Because for every picture that someone took of me, I got about 3 compliments on my costume in the pink dress and about 5-7 compliments on my white dress.
After Comic Book Tattoo, we went to the Joss Whedon Dollhouse panel and stayed in the room for the Battlestar Gallactica panel. Apparently they finished filming three weeks earlier. There are only 10 episodes left of show. But luckily Caprica looks fucking amazing, so I look forward to that.
We went to an Oni Press panel talking about the new titles we can expect in the coming year. There's a really cool sounding series coming out called Ghost Projekt that I'm excited about. It's set in the former Soviet Union, the story follows a weapons inspector who finds some of the Soviets' research on supernatural weapons of mass destruction from the cold war. He partners up with a Russian investigator looking into the deaths of people involved with the project.
But then there's "The Hashishian" which follows two Brooklyn stoners that, when they find a stash of magical marijuana and smoke it, are transported back in time to one of the first assassins' guilds called the ashishians. When they return, they discover a member of that dangerous guild is hunting them. Yeah... I'm so not into stoner books. Unless they're the subject of movie fodder such as Bluntman and Chronic in Chasing Amy.
Afterwards, I was meeting B at the Sci-Fi channel lounge-ish area, when I walked by and I saw three guys sitting in a U-shape near some Star Trek art. And I look closer and I see Avery Brooks! Captain Benjamin Sisko! If there was one person from DS9 who I would want to see the most, it was Avery Brooks! It turns out autographs were $25, but it seemed like a bargain. So, it turns out the line for the autographs went around the table, and on the first stop was Robert Picardo, the hologram doctor from Voyager, then in the middle was Jonathan Frakes (or number two, as I call him), and on the other side was Avery Brooks. Well, B and I were confused at first because it looked like there was no line to see these guys (the line was just cleverly broken up into two different waiting areas so it appeared as though there was no line). So, I couldn't help myself and while Avery Brooks was waiting for the next fan I said, "Avery Brooks. I love you. You're so talented. I never watched Star Trek until I saw you and you were simply magnetic." He smiled and bowed at me. Then we waited in line.
When it got to be our turn, B and I were like, so how does this work? (Because we were afraid that we'd have to purchase everyone's autograph, and, sure, the other guys are alright, but we were there for Avery Brooks, but at the same time we didn't want to be, like, rude.) So we just nonchalantly walked over to Avery Brooks and Jonathan Frakes said to me, "You love Avery don't you!" (Remember, I'm in my costume, so I'm kind of memorable.) And I said, "Yes, yes I do." And he turns to Avery and says, "Can't you feel the love in here?" And B is like, "Oh, Jonathan we love you, too." But I had to catch myself before I said, "But not as much as Avery Brooks." And then Avery Brooks elbowed Jonathan Frakes.
Avery Brooks is... [insert girly sigh here] sublime. And he maybe a stoner. (He was wearing sunglasses in the exhibition hall--but they were those cool tiny circle beatnik sunglasses.) But whatever. He said he liked my costume, too. (Yes!) B asked if the rumors were true (that he taught his classes in his Star Fleet uniform) and he kind of scoffed and said no. And I said, "I knew it! He's a professional! I wouldn't teach my students in my costume." Then Avery Brooks asked what I did and I told him I was in a Ph.D. program and he was impressed. (Double yes!)
The day wrapped up with a 24 panel, with an appearance by Kiefer Sutherland! Sometimes I wonder how some of the programming is justified for Comic-Con--because there's a steady increase towards the catch-all "entertainment" as opposed to a focus on comic books and comic book related media. But I suppose the argument could be made that Jack Bauer is the modern day Batman of sorts. Instead of a utility belt, he has that messenger bag!
Sunday: Even though we just spent an hour and a half to two hours walking around the exhibition hall making last minute purchases and getting last minute signatures, it did have the distinction of more people asking for my picture during that time period than every other day.
I finally got back to see Colleen Doran at the Image booth and I have to say that she is one of my new favorite artists. She's really thoughtful and well-spoken about comics--plus, I think she's cute and funny which is a definite win. Anyway, she said my costume was fantastic and her friend took a picture of me in it.

But one of my favorite displays this year was the 25th anniversary of My Little Pony (I can't help myself, I love My Little Pony--a lot of girls loved Barbie, I loved My Little Pony). There was a Comic-Con exclusive pony (the top right--the black, white, grey and pink one with the cute superhero mask) offered by Hasbro. But the Hasbro booth line was excessively long. On preview night, they closed the Hasbro line down at 6:30 (it opened at 6 o'clock), and I spoke with people in line at 8:30 and they said the line hadn't move in two hours. (Yowza.) I kept checking the Hasbro line all weekend, but the line was always really long, and the line always conflicted with panels I wanted to attend. So I decided to just wait on the pony until Saturday when I'd have some free time--and when I finally had some free time it was sold out! (Thank goodness for eBay, though, because I just bought one NIB [New In Box].) The price of the pony steadily increased all weekend during Comic-Con. On preview night, it was $8.99, by Saturday it was like $13.99. Luckily the pony wasn't marked up too much on eBay at $19.99, so I feel lucky.
Anyway, that was my Comic-Con. Last year the exhibition hall felt like three unyielding football fields. This year, the x-hall didn't nearly seem so hard to handle, so hopefully it'll get easier to navigate every year. A slide show of the photos and video clips will be available soon, so keep an eye out.
Labels: 2008, chi, comic book tattoo, comic-con, cosplay, my little pony, san diego, sewing, tori amos
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at August 6, 2008 4:59 AM
said...
DS9 is my favorite Star Trek series for a reason, and that reason is Avery Brooks. Damned cool you got that autograph, I want to see it someday.
I think I'm going to start watching that series again.
Oh and good job snubbing Frakes, he's terrible. =P
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at August 6, 2008 8:55 AM
ish said...
Thought you might enjoy this.
http://www.pvponline.com/2008/07/29/stewards-of-the-moment/
Hope your New York experience goes well, but also quickly so you can get back home.
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at August 6, 2008 11:34 AM
said...
So sad! Everyone always snubs Jonathan Frakes. They forget just how sexy he is...
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at August 6, 2008 11:35 AM
said...
P.S. What is Tori Amos wearing? It looks like she's either wearing a beanbag chair or a garbage bag... hmmmmm...
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at August 6, 2008 2:39 PM
said...
DS9 is the only series I feel like I can take seriously. It's really phenomenal. The characters are actually complex, which is a hard thing to come by not just in the Star Trek universe, but on TV in general.
I loved the Stewards of the Moment. That made me happy. But also sad that we don't hang around the downtown San Diego area after Comic-Con or else we, too, could have had a RABS (Random Avery Brooks Sighting).
And Tori Amos is wearing something that I can only describe as evil genius cool.
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at August 6, 2008 6:19 PM
said...
Jilly, I remember you. Weren't you the one giving me the eye and didn't you slip me your phone number? You said "I love you" to Avery, but you and I know your true passion is for me.
Maybe I'll give you a call.
XOXO, J. Frakes
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at August 6, 2008 6:25 PM
said...
Well Jfrak, your powers of persuasion know no bounds. I am seduced.
Do me.
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at August 7, 2008 4:30 PM
charlie said...
omg it's a tori post! well, part of it is. I've enjoyed your comiccon posts so much! it sounds like you had a great time.
The First 24
It's been my first 24 hours in New York by myself. I spoke more today than I thought I would. I had a meeting with the campus librarians, set up a research workshop for my students with the reference librarians. But it's weird not going to bed with B at night, or rather, having him fall asleep on my lap as I rub his hair and watch Bravo reality shows at night.
It's quiet at night. I realize it'll be different during times when B isn't flying home, because we'll probably talk on the phone or play LOTR online together. But it's so weird not having him here. Today, I could pretend he was just at work, and I was running errands while he was gone during the day. But then it got to be 5:00 p.m. and I realized he gets out of work at 2:30, and he still had a half hour to go, and I realized that I'd go to bed by myself again, and it'd be that kind of unearthly quiet that unnerves me so that I wrap myself around B's arm until I feel safe again.
I just feel... very alone. It's not necessarily a negative experience. It's just... well, I have no words.
But I really wish I could have a kitten around.
Labels: alone in ny, real life, the melancholy
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5comments
)
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at August 4, 2008 7:01 PM
said...
Hey you! I'm sorry you're feeling alone. That will probably change as the school year kicks in. What's the longest you've been away from B? When's the last time you've lived by yourself?
You should totally get a kitten. (Not that a kitten would help replace B--nothing could do that!--but a kitten can help with some of the loneliness.) If you're not up for taking on a new cat, you could foster cats or dogs. I know a lot of shelters are always looking for people. And it might be fun to get them ready to adopt out! What do you think?
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at August 4, 2008 7:32 PM
said...
My apartment doesn't allow cats or else I'd totally get a cat--one followed me and B home the other day, but B wouldn't let me bring it upstairs because I'm not allowed to have pets. Or house-sit other peoples pets (even specifies that in the lease).
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at August 5, 2008 12:50 AM
said...
Welp, there's always fish.
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at August 5, 2008 2:57 PM
said...
Yeah, I think your friend Mike's right. What about other pets? Like even a gerbil or something. I hear chinchillas are cute.
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at August 8, 2008 9:48 AM
said...
Or how about a little Ammi???
Near My New Apartment

Comic-Con Day 3 and 4 is coming soon. I haven't had time to update this between the end of Comic-Con and the move out to New York. But it is coming. Hopefully complete with pictures.
Labels: funny, jokes that write themselves, photos, real life
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3comments
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at August 4, 2008 7:02 PM
said...
Nice picture. Now here's the real question: did you buy a "selected dinner"?
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at August 4, 2008 7:38 PM
said...
I went for breakfast, or else I'm sure I would have.
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at August 5, 2008 12:48 AM
said...
Normally a happy ending is expensive, this sounds like a great deal!